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Philip Voldman with S.A. High Commision
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Biography
Philip was born in
New York in 1985. He began his musical education and piano studies
at the age of five with Jodi Tepp and his aunt, Ludmila Kandiba. At the age of nine,
continuing study with Nora Kaplan.
In 2003, Philip graduated from Fiorello H. LaGuardia High School of Music &
Art and Performing Arts (also known as the 'Fame' school.) In his final year, as
an assistant conductor and pianist (repetiteur) in the LaGuardia High School Opera
Theatre, he conducted performances of Gluck’s Orfeo ed Euridice (working with Gary
Wedow, Andres Andrade and Jennifer Griesbach). Upon graduation, he received the
Julius Grossman Conducting Award. While at LaGuardia, Philip participated in master
classes with Reri Grist, George Pappastavrou and Mordecai Shehori.
In 2005, Philip, in collaboration with a newly formed opera organisation called
City Youth Opera Inc. (CYO) working with Andres Andrade and Jennifer Griesbach and
as Musical Director, staged the inaugural production of La Serva Padrona
by Pergolesi. Philip has since worked on many occasions with CYO, including the
preparation for the production of Offenbach's Orpheus in the Underworld.
In 2002-3, Philip began his work experience at The Amato Opera Theatre as an assistant
répétiteur and studied with Anthony Amato. This is where he participated in performances
of Madama Butterfly, Cavalleria Rusticana, I Pagliacci, Cosi fan tutte, Hänsel und
Gretel, Die Zauberflote, Andrea Chenier, Il Barbiere di Siviglia, La Traviata, and
HMS Pinafore.
Philip has an extensive experience performing in several major cities of the world.
Some major venues have included; in New York, the 92nd St. Y, Amato Opera Theatre,
Carnegie Hall, Alice Tully Hall. In Norway, Notterøy Kulturhus in with opera group
COSMOPOLITAN. In London, the Italian and South African Embassies, Royal College
of Music Britten Theatre, including the Concert and Recital Halls, Tunbridge Wells
Assembly Hall and St. George Hanover Square. In Ireland, various venues in Wexford
for the Wexford Festival, and in Scotland, working with Cantabile Artists Agency,
halls in Musselburgh, Kilmarnock and Langholm.
In 2007, Philip graduated from the Royal College of Music, London with a Bachelor
of Music (with Honours). He studied piano with Ruth Nye. In many other electives,
Philip received guidance from Nigel Clayton (accompaniment), David Ward & Simon Nicholls (Fortepiano) for which he received the Amadeus Fortepiano Prize, and Robert
Woolley (Harpsichord). He has an extensive song and operatic repertoire and has
worked with such coaches as Gerald Martin-Moore, Dr. Jeanette Favaro-Reuter, Louis Menendez, Jorge Parodi, Howard Watkins, Joan Dornemann, Ingrid Surgenor, Tina Ruta,
Brenda Hurley, Massimiliano Murrali, Tomoko Okada, Mikhail Hallak, the late Patric
Schmid, Audrey Hyland, and Roger Vignoles.
Interested very much in vocal technique, Philip has accompanied classes for Neil
Mackie CBE, Peter Savidge, Graeme Broadbent, Joseph Ward, Patricia MacMahon, Donald
Maxwell, Mark Tucker, Roderick Earle, Russell Smythe, Sarah Walker, Ryland Davies,
Timothy Evans-Jones, Elizabeth Ritchie, Della Jones, Dennis O’Neill, Elizabeth Robson, Marie McLaughlin, Sherrill
Milnes, Maria Zouves, Patricia McCaffrey, Mark Schnaible, Inci Bashar, Neil Rosenshein
and Maria Spacagna .
Philip has, on many occasions, acted as rehearsal pianist for major chorus rehearsals,
notable ones are in 2003, when he played for the rehearsals of an all-Brahms concert
with Robert Chilcott
and in 2004 played for Mahler’s Symphony No. 2 with
Terry Edwards and Bernard Haitink and also in 2005 for Bruckner's Te Deum.
Since April 2008, Philip has been on staff as a repetiteur with the Cardiff International
Academy of Voice under Dennis O’Neill. While at the Academy, Philip has worked with
Cȏr Caerdydd, the Arts Festivals of Downpatrick, Northern Ireland and Opera
Barga, Italy (working with Massimilano Murrali on production of Il Signor Bruschino
and Act III and IV of La Bohéme) and Longborough Opera where he assisted
Anthony Negus in the preparation for Wagner’s Das Rheingold. Also, Philip
has performed at such venues as Gregynog, Llandaff Cathedral, Royal International
Pavilion in Llangollen, Coed Coch, Royal Dublin Society and Brangwyn Hall.
Philip, also works as a freelance accompanist, having played for various opera
groups such as Opera
Integra (Les contes d'Hoffmann and Ernani) and Chorus Mundi
(Nelson Mass). Recent engagements include opera shows with Cantabile Artists
Agency, auditions for Hazard Chase, a production of Gluck’s Orfeo ed Euridice
with Scarlet Opera and with the Royal Welsh College of Music and Drama Music Theatre
Project, both of which he was Music Director. |
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